tag:blogger.com,1999:blog-77924227267074056232011-04-21T22:31:42.977-07:00Departamento Cinema/Imagem em Movimento (interno)Departamento Cinema/Imagem em Movimento (interno)http://www.blogger.com/profile/06016146019753560725noreply@blogger.comBlogger31100tag:blogger.com,1999:blog-7792422726707405623.post-660059842195225502007-11-16T11:23:00.000-08:002007-11-16T14:25:19.212-08:00Remarcação da próxima aulaPelo motivo que o professor Hugo Brito comunicou aos alunos na aula passada, este não vai poder dar a próxima aula. Propomos que a aula seja reposta no dia 13 de Dezembro, quinta-feira, das 18h00 às 21h00. Se alguém não puder, pedimos que comuniquem até ao dia 23 de Novembro para o email: <a href="mailto:md.marcelo.costa@gmail.com">md.marcelo.costa@gmail.com</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7792422726707405623-66005984219522550?l=videoeformasbreves.blogspot.com' alt='' /></div>Departamento Cinema/Imagem em Movimento (interno)http://www.blogger.com/profile/06016146019753560725noreply@blogger.com0tag:blogger.com,1999:blog-7792422726707405623.post-50743342678675849632007-10-21T09:50:00.000-07:002007-10-21T09:54:47.839-07:00Video e Formas Breves Cinematográficas(continuação da aula 1)<br />Tal como prometido aqui está o Link para o texto "Play" de Samuel Beckett<br /><a style="color: rgb(0, 0, 153);" href="http://playsamuelbeckett.blogspot.com/">http://playsamuelbeckett.blogspot.com</a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7792422726707405623-5074334267867584963?l=videoeformasbreves.blogspot.com' alt='' /></div>Departamento Cinema/Imagem em Movimento (interno)http://www.blogger.com/profile/06016146019753560725noreply@blogger.com0tag:blogger.com,1999:blog-7792422726707405623.post-53681379025210629712007-10-10T15:59:00.000-07:002007-10-28T10:29:05.797-07:00Vídeo e Formas Breves Cinematográficas<b style=""><span lang="PT" style="font-family:Georgia;">1ª Aula<o:p></o:p></span></b><br /><p class="MsoNormal"><span lang="PT" style="font-family:Georgia;">Abordagem às diferenças e semelhanças entre a “sensibilidade plástica” e a “sensibilidade cinematográfica/narrativa”.<o:p></o:p></span></p> <p class="MsoNormal"><span lang="PT" style="font-family:Georgia;"><!--[if !supportEmptyParas]--> </span><b style=""><span lang="PT" style="font-family:Georgia;">O Sentido íntimo das imagens. (Visão Geral)</span></b><br /><span lang="PT" style="font-family:Georgia;">1 – A Imagem Fixa como Corte - corte do campo porque ele tem um limite, o limite da imagem, ou seja, o que está na imagem é a imagem toda, não há fora de campo “se está na imagem é porque foi <i style="">escolhido</i>”.</span><span lang="PT" style="font-family:Georgia;"><o:p></o:p><br />2 – A Imagem em Movimento como Interrupção – A câmara ao captar uma imagem <i style="">interrompe</i> o fluxo contínuo das coisas.</span></p> <p class="MsoNormal"><span lang="PT" style="font-family:Georgia;"><!--[if !supportEmptyParas]--><!--[endif]--> Estes dois processos alimentam o distanciamento face às coisas e paradoxalmente </span><span lang="PT" style="font-family:Georgia;">aproximam-nos do sentido íntimo das imagens. <o:p></o:p></span></p> <p class="MsoNormal"><span lang="PT" style="font-family:Georgia;">Corte transversal que une pólos opostos - o Fixo e o Movimento – permite-nos ter um ponto de vista, entendido aqui como uma visão geral do mundo.</span><span lang="PT" style="font-family:Georgia;"><o:p></o:p><br /><br /></span><b style=""><span lang="PT" style="font-family:Georgia;">Exemplos:</span></b></p> <p class="MsoNormal"><span style="font-weight: bold; font-style: italic;font-family:Georgia;" lang="PT"><!--[if !supportEmptyParas]--><!--[endif]--> Imagens Fixas:</span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9eUnjeWRwwQ/RxDZNh-KhKI/AAAAAAAAAAM/Ad6eqlvJFdo/s1600-h/Nicolas+Poussin.+The+Holy+Family.+1649.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://3.bp.blogspot.com/_9eUnjeWRwwQ/RxDZNh-KhKI/AAAAAAAAAAM/Ad6eqlvJFdo/s320/Nicolas+Poussin.+The+Holy+Family.+1649.jpg" alt="" id="BLOGGER_PHOTO_ID_5120831602800886946" border="0" /></a></p><p class="MsoNormal"> </p> <p class="MsoNormal"><!--[if gte vml 1]><v:shapetype id="_x0000_t75" coordsize="21600,21600" spt="75" preferrelative="t" path="m@4@5l@4@11@9@11@9@5xe" filled="f" stroked="f"> <v:stroke joinstyle="miter"> <v:formulas> <v:f eqn="if lineDrawn pixelLineWidth 0"> <v:f eqn="sum @0 1 0"> <v:f eqn="sum 0 0 @1"> <v:f eqn="prod @2 1 2"> <v:f eqn="prod @3 21600 pixelWidth"> <v:f eqn="prod @3 21600 pixelHeight"> <v:f eqn="sum @0 0 1"> <v:f eqn="prod @6 1 2"> <v:f eqn="prod @7 21600 pixelWidth"> <v:f eqn="sum @8 21600 0"> <v:f eqn="prod @7 21600 pixelHeight"> <v:f eqn="sum @10 21600 0"> </v:formulas> <v:path extrusionok="f" gradientshapeok="t" connecttype="rect"> <o:lock ext="edit" aspectratio="t"> </v:shapetype><v:shape id="_x0000_s1026" type="#_x0000_t75" style="'position:absolute;" wrapcoords="-129 0 -129 21427 21600 21427 21600 0 -129 0"> <v:imagedata src="file:///C:/DOCUME~1/Curly/LOCALS~1/Temp/msoclip1/01/clip_image001.jpg" title="Nicolas Poussin"> <w:wrap type="tight"> </v:shape><![endif]--><!--[if !vml]--><!--[endif]--></p><p class="MsoNormal"><span lang="PT" style="font-family:Georgia;"><br /></span></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /><span lang="PT" style="font-family:Georgia;"><br /><br /><br />Nicolas Poussin</span><br /><i style=""><span lang="PT" style="font-family:Georgia;"><span style="font-size:100%;">The Holy Family</span></span></i><span style="font-size:100%;"><br />1649</span></p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9eUnjeWRwwQ/RxDZhh-KhLI/AAAAAAAAAAU/t2efxRDZzVY/s1600-h/david+Consecration+of+the+Emperor+Napoleon+I+and+Coronation+of+the+Empress+Josephine1805-07+louvre.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://3.bp.blogspot.com/_9eUnjeWRwwQ/RxDZhh-KhLI/AAAAAAAAAAU/t2efxRDZzVY/s320/david+Consecration+of+the+Emperor+Napoleon+I+and+Coronation+of+the+Empress+Josephine1805-07+louvre.jpg" alt="" id="BLOGGER_PHOTO_ID_5120831946398270642" border="0" /></a> <p class="MsoNormal"><span lang="PT" style="font-family:Georgia;">Jacques-Louis David<o:p></o:p></span><br /><i style=""><span lang="PT" style="font-family:Georgia;">Consecration of the Emperor</span></i><i style=""><span lang="PT" style="font-family:Georgia;"> Napoleon I and Coronation of the Empress Josephine<o:p></o:p></span></i><span style=";font-family:Georgia;font-size:12;" lang="PT" ><br /></span><span style=";font-family:Georgia;font-size:100%;" lang="PT" >1805-07</span></p><span lang="PT" style="font-family:Georgia;"><span style="font-weight: bold; font-style: italic;">Imagens em Movimento:</span><o:p></o:p></span><br /><span style=";font-family:Georgia;font-size:100%;" lang="PT" >“Querelle” de Rainer Werner Fassbinder, 1982.</span><br /><p class="MsoNormal"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9eUnjeWRwwQ/RyTE2haPb9I/AAAAAAAAABE/XgsnZBLA6Dc/s1600-h/querelle9.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://4.bp.blogspot.com/_9eUnjeWRwwQ/RyTE2haPb9I/AAAAAAAAABE/XgsnZBLA6Dc/s200/querelle9.jpg" alt="" id="BLOGGER_PHOTO_ID_5126438716814880722" border="0" /></a></p><span style=";font-family:Georgia;font-size:100%;" lang="PT" ><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />“Fight Club” de David Fincher, 1999.</span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9eUnjeWRwwQ/RyTEaBaPb7I/AAAAAAAAAA0/Y9869KnPoMk/s1600-h/FightClub19992.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://2.bp.blogspot.com/_9eUnjeWRwwQ/RyTEaBaPb7I/AAAAAAAAAA0/Y9869KnPoMk/s200/FightClub19992.jpg" alt="" id="BLOGGER_PHOTO_ID_5126438227188608946" border="0" /></a><br /><span style="font-size:100%;"><b style=""><span lang="PT" style="font-family:Georgia;"><br /><br /><br /><br /><br /><br /><br /><br />Qualidades do Corte Transversal. (uma Visão mais de Perto)<span style=""> </span><o:p></o:p></span></b></span><br /><span style=";font-family:Georgia;font-size:12;" lang="PT" ><span style="font-size:100%;">1 – Na Pintura o corte é de natureza expositiva. No Desenho o corte é</span></span><span style=";font-family:Georgia;font-size:12;" lang="PT" ><span style="font-size:100%;"> <i style="">Simbólico</i>.</span></span><br /><span style=";font-family:Georgia;font-size:12;" lang="PT" ><span style="font-size:100%;"><span style="font-weight: bold; font-style: italic;">Exemplos:</span></span></span><span style=";font-family:Georgia;font-size:12;" lang="PT" ><br /></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9eUnjeWRwwQ/RxDaQh-KhMI/AAAAAAAAAAc/ir5NvlJM-nw/s1600-h/Da+Vinci_Shoulders_1510.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://3.bp.blogspot.com/_9eUnjeWRwwQ/RxDaQh-KhMI/AAAAAAAAAAc/ir5NvlJM-nw/s320/Da+Vinci_Shoulders_1510.jpg" alt="" id="BLOGGER_PHOTO_ID_5120832753852122306" border="0" /></a><span lang="PT" style="font-family:Georgia;">Leonardo Da Vinci</span><!--[if gte vml 1]><v:shapetype id="_x0000_t75" coordsize="21600,21600" spt="75" preferrelative="t" path="m@4@5l@4@11@9@11@9@5xe" filled="f" stroked="f"> <v:stroke joinstyle="miter"> <v:formulas> <v:f eqn="if lineDrawn pixelLineWidth 0"> <v:f eqn="sum @0 1 0"> <v:f eqn="sum 0 0 @1"> <v:f eqn="prod @2 1 2"> <v:f eqn="prod @3 21600 pixelWidth"> <v:f eqn="prod @3 21600 pixelHeight"> <v:f eqn="sum @0 0 1"> <v:f eqn="prod @6 1 2"> <v:f eqn="prod @7 21600 pixelWidth"> <v:f eqn="sum @8 21600 0"> <v:f eqn="prod @7 21600 pixelHeight"> <v:f eqn="sum @10 21600 0"> </v:formulas> <v:path extrusionok="f" gradientshapeok="t" connecttype="rect"> <o:lock ext="edit" aspectratio="t"> </v:shapetype><v:shape id="_x0000_s1026" type="#_x0000_t75" style="'position:absolute;" wrapcoords="-153 0 -153 21494 21600 21494 21600 0 -153 0"> <v:imagedata src="file:///C:/DOCUME~1/Curly/LOCALS~1/Temp/msoclip1/01/clip_image001.jpg" title="Da Vinci_Shoulders_1510"> <w:wrap type="tight"> </v:shape><![endif]--><!--[if !vml]--><!--[endif]--><span lang="PT" style="font-family:Georgia;"><o:p></o:p></span><i style=""><span lang="PT" style="font-family:Georgia;"><br />Shoulders<o:p></o:p></span></i><br /><span style=";font-family:Georgia;font-size:12;" lang="PT" >1510</span><br /><span style=";font-family:Georgia;font-size:12;" lang="PT" ><br /></span><br /><span style=";font-family:Georgia;font-size:12;" lang="PT" ><br /><br /><br /></span><br /><br /><br /><span style=";font-family:Georgia;font-size:12;" lang="PT" ><br /><br /></span><br /><br /><p class="MsoNormal"><br /><br /></p><p class="MsoNormal"><br /></p> <p class="MsoNormal"><br /><span lang="PT" style="font-family:Georgia;">2 – Na imagem em Movimento o corte é mais uma <i style="">interrupção</i> no Espaço e no Tempo, de modo que, ficamos perante uma espécie de curto-circuito entre os significados que se colam às imagens (conotação) e a direcção própria das imagens (denotação). A este <i style="">curto-circuito</i> chamei atrás o <i style="">sentido íntimo das imagens</i>.<o:p></o:p></span></p> <p class="MsoNormal"><span lang="PT" style="font-family:Georgia;"><!--[if !supportEmptyParas]--><!--[endif]--></span><span style="font-weight: bold; font-style: italic;">Exemplos:</span><br />- “Bronenosets Potyomkin” de Sergei M. Eisenstein, 1925.</p><p class="MsoNormal"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9eUnjeWRwwQ/RyTEmhaPb8I/AAAAAAAAAA8/cHMeIeVZTQI/s1600-h/Img067.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://4.bp.blogspot.com/_9eUnjeWRwwQ/RyTEmhaPb8I/AAAAAAAAAA8/cHMeIeVZTQI/s200/Img067.jpg" alt="" id="BLOGGER_PHOTO_ID_5126438441936973762" border="0" /></a></p> <p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br />- “Play” de Anthony Minchella, 2000.<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9eUnjeWRwwQ/RyTD2haPb5I/AAAAAAAAAAk/2ixfvi6BbUk/s1600-h/bodyplay20060330.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://4.bp.blogspot.com/_9eUnjeWRwwQ/RyTD2haPb5I/AAAAAAAAAAk/2ixfvi6BbUk/s200/bodyplay20060330.jpg" alt="" id="BLOGGER_PHOTO_ID_5126437617303252882" border="0" /></a></p> <p class="MsoNormal"><b style=""><span lang="PT" style="font-family:Georgia;"><br /></span></b></p><p class="MsoNormal"><b style=""><span lang="PT" style="font-family:Georgia;"><br /></span></b></p><p class="MsoNormal"><b style=""><span lang="PT" style="font-family:Georgia;"><br /></span></b></p><p class="MsoNormal"><b style=""><span lang="PT" style="font-family:Georgia;"><br /></span></b></p><p class="MsoNormal"><b style=""><span lang="PT" style="font-family:Georgia;"><br /></span></b></p><p class="MsoNormal"><b style=""><span lang="PT" style="font-family:Georgia;"><br /></span></b></p><p class="MsoNormal"><b style=""><span lang="PT" style="font-family:Georgia;">Excertos de filmes para análise e comentário no final da aula:</span></b></p> <span style=";font-family:Georgia;font-size:12;" lang="PT" >- “Lancelot du Lac” de Robert Bresson,</span><span style=";font-family:Georgia;font-size:12;" lang="PT" > 1974.</span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9eUnjeWRwwQ/RyTEFhaPb6I/AAAAAAAAAAs/lrf25PZVjYI/s1600-h/56_115_5955.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://4.bp.blogspot.com/_9eUnjeWRwwQ/RyTEFhaPb6I/AAAAAAAAAAs/lrf25PZVjYI/s200/56_115_5955.jpg" alt="" id="BLOGGER_PHOTO_ID_5126437875001290658" border="0" /></a><br /><span style=";font-family:Georgia;font-size:12;" lang="PT" ><br /><br /><br /><br /><br /><br /><br /><br /><br />- “Man Sees Horse #5” de António</span><span style=";font-family:Georgia;font-size:12;" lang="PT" > Poppe, 2005.</span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9eUnjeWRwwQ/RyTFCxaPb-I/AAAAAAAAABM/09Num5uvYeM/s1600-h/Untitled-1+copy.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://1.bp.blogspot.com/_9eUnjeWRwwQ/RyTFCxaPb-I/AAAAAAAAABM/09Num5uvYeM/s200/Untitled-1+copy.jpg" alt="" id="BLOGGER_PHOTO_ID_5126438927268278242" border="0" /></a><br /><span style=";font-family:Georgia;font-size:12;" lang="PT" ><br /><br /></span> <p class="MsoNormal"><span lang="PT" style="font-family:Georgia;"><span style="font-weight: bold;"><br /></span></span></p><p class="MsoNormal"><span lang="PT" style="font-family:Georgia;"><span style="font-weight: bold;"><br /></span></span></p><p class="MsoNormal"><span lang="PT" style="font-family:Georgia;"><span style="font-weight: bold;"><br /></span></span></p><p class="MsoNormal"><span lang="PT" style="font-family:Georgia;"><span style="font-weight: bold;"><br /></span></span></p><p class="MsoNormal"><span lang="PT" style="font-family:Georgia;"><span style="font-weight: bold;"><br /></span></span></p><p class="MsoNormal"><span lang="PT" style="font-family:Georgia;"><span style="font-weight: bold;">Referências:</span><br />“<a href="http://workofartintheage.blogspot.com/">The Work of Art in the Age of Mechanical Reproduction</a>”<span style="color:blue;">¹</span>, “<a href="http://fragmentosesteticos.blogspot.com/">Fragmentos Estéticos</a>”<span style="color:blue;">²</span> e “<a href="http://sobreasituacaodaartecinematografica.blogspot.com/">Sobre a Situação da Arte Cinematográfica Russa</a>”<span style="color:blue;">²</span> de <b style="">Walter Benjamin</b>.<o:p></o:p><br />“<a href="http://rhetoricoftheimage.blogspot.com/">Rhetoric of the Image</a>”<span style="color:blue;">³</span>, “<a href="http://thethirdmeaning.blogspot.com/">The Third Meaning</a>”<span style="color:blue;">³</span> e “<a href="http://diderotbrechteisenstein.blogspot.com/">Diderot, Brecht, Eisenstein</a>”<span style="color:blue;">³</span> de <b style="">Roland Barthes</b>.<o:p></o:p></span></p> <p class="MsoNormal"><span style=";font-family:Georgia;color:blue;" lang="PT">¹</span><span lang="PT" style="font-family:Georgia;"> </span><span style=";font-family:Georgia;font-size:11;" lang="PT" >in “Illuminations” Ed. Schocken Books, 1978.</span><span lang="PT" style="font-family:Georgia;"><o:p></o:p></span></p> <p class="MsoNormal"><span style=";font-family:Georgia;color:blue;" lang="PT">²</span><span lang="PT" style="font-family:Georgia;"> </span><span style=";font-family:Georgia;font-size:11;" lang="PT" >in “A Modernidade” Ed. Assírio & Alvim, 2006.</span><span lang="PT" style="font-family:Georgia;"><o:p></o:p></span></p> <span style=";font-family:Georgia;font-size:12;color:blue;" lang="PT" >³</span><span style=";font-family:Georgia;font-size:12;" lang="PT" > </span><span style=";font-family:Georgia;font-size:11;" lang="PT" >in “Image – Music – Text” Ed. Hill And Wang, 1977.</span><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7792422726707405623-5368137902521062971?l=videoeformasbreves.blogspot.com' alt='' /></div>Departamento Cinema/Imagem em Movimento (interno)http://www.blogger.com/profile/06016146019753560725noreply@blogger.com0